Being//Becoming//Being
EEL Gallery, 1 Spadina Crescent
August 8-August 22
Opening Reception August 8, 6-8pm
art /ɑrt/ Show Spe[ahrt] –noun 1. production, expression, or realm, according to principles, of what is beautiful, appealing, or of more than significance. 2.the class objects subject to aesthetic criteria; works of art collectively, ,sculptures, or drawings: a museum of art; an art collection. 3. a field, genre, or of art: Dance is an art. 4.the fine arts often excluding architecture: art and architecture. 5. any field using the skills of art: advertising art; industrial art.
It takes everyone to no one Justina M. Barnicke Gallery, Hart House, University of Toronto 7 Hart House Circle Toronto, ON | |
07 April at 18:00 - 21 May at 17:00 |
The Education and Outreach Sub-Committee of the Hart House Art Committee Presents: Portfolio Review Workshop With John Massey Have your portfolio reviewed by a practicing artist and professor. Learn the dos and don’ts of compiling your portfolio. Date: Friday March 25th Location: South Sitting Room (3rd Floor), Hart House Time: 1-3:30 pm Free. Registration is required. Students Preferred. Spaces Limited. Register at hh.educationcommittee@gmai |
Opening: April 8, from 7 – 10pm
Hours: April 9 & 10 from 11am – 5pm
The University of Toronto Visual Studies Thesis Class (2010-2011) brings together a unique mix of students from various cultural, academic and stylistic backgrounds. As a group they aim to continue the excellence that U of T encourages, while staying true to their individual artistic visions. This year’s class uses painting, drawing, installation, photography, performance and video to highlight their conceptual groundings, as well as their context within the international art world.
University of Toronto Thesis Art Exhibition
Toronto, Ontario, April 8-10 2011
The University of Toronto Visual Studies Thesis Exhibition will take place April 8-10 at the Borden Building located at 563 Spadina Avenue in Toronto. The title of the exhibition is Coterie 21, which refers explicitly to the diverse group of twenty-one people who compose the Thesis class this year.
The University of Toronto Visual Studies Thesis Class (2010-2011) brings together a unique mix of students from various cultural, academic and stylistic backgrounds. As a group they aim to continue the excellence that U of T encourages, while staying true to their individual artistic visions. This year’s class uses painting, drawing, installation, photography, performance and video to highlight their conceptual groundings, as well as their context within the international art world.
Opening: April 8, from 7 - 10pm
Hours: April 9 & 10 from 11am - 5pm
Contact: thisisthesis.promo@gmail.com
NAME: Courtney Kurysh
BIRTHDATE: September 12, 1987
AREA OF INTEREST: Performance art, video performance, large format photography
PRACTICE: Using self-imagery through the mediums of photography, video performance, and live performance, Kurysh questions issues of temporality and identity through her work. As she began to read more about photographic theory, particularly Sontag’s idea of “photography as the inventory of mortality”, Kurysh began to view her self-images as document of her presence and eventual absence and her own record of mortality, which led to an exploration of impermanence and temporality. These ideas are continually explored through her series photographs of fresh unmarked graves, “The Ground Will Forget”. As the body dissolves into landscape, it will eventually be physically absent while the memory remains present for those of the deceased. Having difficulty dealing with change, Kurysh appears to focus on the largest physical change we face in life: eventual death.
Her video and live performance practice comes from a fiercely feminist instinct and a constant questioning of female roles and expectation in Western society. Using her body as the canvas and drawing upon the use of masochism in performance art in the 1970s, she seeks to find a place for the confrontational art of that era in the twenty-first century. Drawing theoretical and physical inspiration from Martha Rosler and Vito Acconci respectively, Kurysh subjects her body various tortures of everyday female realities regarding body image, challenging the trappings of the female sex and hoping to come to grips with her own place in the continuum of female identity.
Call For Submissions
Gallery 1313
ECO ART 2011
Exhibit Gallery 1313
Earth Hour – March 26 8:30
Gallery 1313 is seeking artists whose art practice and discipline explores issues and concerns of the environment for an exhibition March 16-27 2011.
Reception March 17 7pm
This exhibit seeks art works that addresses issues of urban sprawl , buy local , eat local , air quality , water quality, energy conservation, clean renewable energy, global warming and other environmental concerns .
The exhibition will be curated by Gallery Director , Phil Anderson . Submissions will be accepted via email to director@g1313.org or philanderson@rogers.com
Please send a current CV , artist statement and 1-5 jpegs of works for consideration
Accepted artists will pay a admin fee of $45 per selected work .
Deadline March 9 2011
Gallery 1313 is also accepting new members in 2011 . Please go to our web site for details .
For more information please call 416-536-6778 or email director@g1313.org
Gallery 1313 1313 Queen St. West www.g1313.org
Gallery 1313 is celebrating 13 Years of operating in 2011 .
Inviting all
VISUAL ARTISTS
to submit their
work to the…
Multi-Faith Centre’s
Juried Art Show
Topic:
“Faith & Spirituality in Student Life: how students see their spiritual life or journey”
Contest Prizes:
1st Prize $300
2nd Prize $150
3rd Prize $75
Deadline: 4pm Monday, March 1st, 2011
For full Call for Submissions, or to submit your work, visit:
www.multifaith.utoronto.ca
January 20 to March 20, 2011
Reception: January 19, 7:00 to 9:00 pm
Ron Terada has come to international attention for his deadpan appropriations of vernacular texts typically drawn from street signage, popular music, television and advertising. Through their reproduction in media such as painting, graphic posters and video projections, Terada’s work harkens back to the cool, language-based formats of 1960s conceptual art but elicits decidedly contemporary questions. Does the name of a city confer its meanings to those who live there? Do the sponsors of an exhibition inform the identity of the artist? Is the play-list on his iPod a cue to his generational alignments or an expression of his most intimate longings? Just how, or even whether such circumstantial evidence can become an index of subjectivity, these are some of the constant puzzlements in Ron Terada’s propositions. The evidence may seem to deliver the ‘artist’ as a definable entity to the world around him – but in actuality it comes in the form of provocative passivity, itinerant chains of references, and comedic displacements, such as in Terada’s appearance as a poster boy in the form of a modular stack of cardboard boxes that contain multiple copies of his exhibition catalogue Ron Terada: Who I Think I am.
REBELLION: SUBVERSIVE PERSPECTIVES. This conference will encourage the fruitful exchange of cross-cultural research as panelists seek to explore the implications of controversial visual practice from a variety of interdisciplinary perspectives. Keynote address, January 27, given by SHARY BOYLE at the Art Centre.
NAME: Vjosana Shkurti
BIRTHDATE: April 13th, 1989
AREA OF INTEREST: Video, Photography, Painting, Writing
PRACTICE:
Characters and stories
Characters in things.
Personal stories.
Impermanence is constantly there, paradoxically.
I am always there but moving around.
Scratching the wounds that seem to have healed.
Can you see them bleeding?
YOU CAN PURCHASE TICKETS HERE
OR
CONTACT : thisisthesis.promo@gmail.com